The COLLINS High School and College Design Internship Program is entering its fifth year, led by Yocasta Lachapelle.

From hands-on client experience, learning the tools of the trade, and help with financial aid, we’re honored to be able to invest in, and nurture, the next generation of designers and creative leaders.

Last year, Safiya Jones and Cesar Rodriguez were among the students who joined us. Safiya is currently a student at the High School of Art & Design in Manhattan. Cesar was accepted to Cooper Union and is currently pursing his undergraduate degree in fine arts.

We’re excited to see who will join us this year as we expand our program in new ways to address the COVID-19 crisis. We start in July.

If you are - or if you know of - a high school or college student of color seeking a career in design in San Francisco, New York City or elsewhere, please let us know at apply_ny@wearecollins.com.

For a second time in a row. We’re floored. And honored.

As we said last year: Design is not what we make. Design is what we make possible for others.

That’s been our mission from the start. It continues.

Thank you to our great teams in San Francisco and New York for pushing us further into the future.

And most of all, thank you again to our remarkable clients, partners and friends who give us opportunities to do meaningful work — and who make us all better, every day.

We’re thankful we’re busy at our company supporting our clients while also finding ways to help address this crisis.

But if there’s any creativity to be celebrated right now, it’s being done by people thinking of ways to save lives and finding a way to stop this.

Medical professionals figuring out how to treat patients and improvise supplies for themselves and others under conditions they’ve never seen before.

Scientists working round the clock in labs to discover silver bullets in the forms of better medicines and vaccines.

Countless people and companies using whatever they have to make masks, face guards, anything of use to share with others who need it.

And anyone who’s able to close their eyes and imagine how good it will feel when this is over.

These are all acts of real creativity that will get us to the other side of this.

Until then, if you’re looking for ways to contribute, we’re helping our friends at The Good+ Foundation get money and supplies to families in need. They’ve been assisting underprivileged families since 2002, but they can use everyone’s assistance right now.

You can help them here.

Our friend Rob Johnston recently interviewed Creative Director Ben Crick on Meet The Creatives. Ben speaks about branding at scale and designing systems to excite and live far past the launch date. And, of course, lots of shout-outs.

Listen on Apple Podcasts here.

Happy Fri… — checks the date — yes, Happy Friday!

We could all use a little boost in spirit.

The first half of the playlist is for lounging around, working from home, and looking out the window longingly. The second half is for dancing in your room tonight (sorry neighbor!).

We invited 86 year-old (and busy as ever) designer Richard Danne to speak with us about his celebrated 1975 design program for NASA—and its surprising, triumphant return. We asked him if he would discuss his career and his thoughts about the future. He agreed.

Thank you to everyone who joined us.

And thank you, Richard, for being such a wonderful guest.

Print Magazine covered it.

And The New York Times’ NASA design story is here.

From graduate to design leader.

Megan Bowker spoke to The Brand Identity about her experience growing as a designer at COLLINS, developing her point-of-view, and how creative decisions ladder up to great outcomes.

The San Francisco Symphony — the 108-year cultural icon with international acclaim — has a deep legacy as a boundary-pushing Bay Area creative institution committed to advancing the reach and relevance of the orchestral arts by questioning the status quo.

We were invited to build a new brand and identity system that honors the Symphony’s heritage while growing the direction of their art form and organization. We collaborated with their musicians, audiences, staff, executive leadership, and board members to define a shared vision for the brand, one which would become the foundation for creative and design experimentation.

To signal this new direction, we’re thrilled to share the first part of the Symphony’s new identity.

Leveraging new creative technologies, the new identity will use a custom variable font to bring the essence of sound and music to life. The identity juxtaposes the traditional with the contemporary — introducing new, dynamic, behavior for classical letterforms. Our hope is to create a memorable visual expression as rich in emotional range as the music of the Symphony itself.

The logo is just the beginning. With the full launch crescendoing in the Fall of 2020, audiences can expect more glimpses of the road ahead. Keep your eyes – and ears — open throughout the year.

CREDITS

COLLINS San Francisco
Typography: Dinamo
San Francisco Symphony

We’re grateful to be invited to creative conferences around the world to talk about our process and projects.

Below is a list of events that we will be presenting at. We hope to see you there!

Better by Design CEO Summit, New Zealand
March 6 - 12, 2020

Kellogg School of Business, Chicago
May 10 - 11, 2020

D&AD, London
May 19 - 21, 2020

Design Thinkers, Vancouver
May 26 - 27, 2020

Birmingham Design Festival, London
June 4 - 7, 2020

Webit Conference, Spain
June 17 - 20, 2020

COLLISION, Toronto
June 20 - 25, 2020

We’re honored to be included in Working Not Working’s annual list, “Top 50 Companies Creative Want to Work For in 2020” for the third year in a row.

Recognition like this is a timely reminder to keep pushing ourselves; to take good care of our clients; and above all, to love the process and the people that make up this work.

And congratulations to the other nominees for championing creativity, pushing the world forward towards better tomorrows.

The futures that our friends at Mailchimp, Dropbox, and Ogilvy have grown into has kept us in awe—especially when design has been at the center of reimagining their new futures. We’re so honored to have worked with these great teams.

Cheers to our friends and the other honorees for winning the inaugural Type Champions Award by Monotype, which recognizes and celebrates brands from around the world that are committed to excellence in design and typography.

Read on.

We’re grateful to be invited to some of the world’s forward-thinking conferences to speak on our philosophy of design and creativity.

Below is a list of events that we will be presenting.

Design Thinkers, Toronto, Canada — October 25, 2019

AIGA, Dallas Forth Worth, Texas — October 30, 2019

Web Summit, Lisbon, Portugal — November 3 - 5, 2019

TEDxIndianaUniversity, Bloomington, Indiana — November 8, 2019

RiseUp, Cairo, Egypt —December 5 - 8, 2019.

If you’re attending, say hello!

The evolution of Mailchimp maintained the quirkiness that made them loved while also looking towards the future. Since then, they’ve expanded and launched a podcast, short films, and documentaries following the lives of entrepreneurs.

We’re deeply honored to be recognized in Fast Company’s Innovation by Design Awards 2019 in partnership with our friends at Mailchimp.

Freddie, this one is for you.

Cheers to the other honorees.

How can we normalize inconceivable futures?

In this session, Brian invites Julia Marsh, his SVA MFA Design graduate student, to share how she’s combatting environmental degradation by developing flexible single-use plastics with seaweed based packaging.

Watch the talk.

For brands to stay ahead of the curve, they must refresh themselves while expanding the edges of who they seek to become. Rebrands are imperative because companies are growing quickly and the future is coming at us even faster.

AdAge generously highlights our work with Mailchimp and shares thoughts from our founder Brian Collins and others about why rebrands are becoming increasingly popular across all industries.

Read on.

In this personal essay, our founder Brian Collins reflects on the 50th anniversary of the Stonewall Uprising, living in NYC throughout the early ’80s, and how symbols, like the rainbow flag, are used to imagine and install a more benevolent future.

“On a good day, this is the quintessential nature of design: signaling and rehearsing new tomorrows. To craft symbols, stories, and artifacts that ultimately shape hearts and minds for the better.”

Read on.

Print Magazine reviews the talk Brian gave at this year’s 99U Conference at Lincoln Center.

Writer Ellen Shapiro highlights how we help our clients create a new, expanded vision for their future and then design their way into it.

Design is not what we make. Design is what we make possible for others.

That’s been our mission from the start.

It appears to be working.

We’re honored that AdAge selected us as their first Design Firm of the Year.

Thank you to our teams in San Francisco and New York for pushing us into the future.

And thank you to our clients and partners who give us opportunities to do amazing things - and who make us better, every day.

We’re just getting started.