The COLLINS High School and College Design Internship Program is entering its fifth year, led by Yocasta Lachapelle.

From hands-on client experience, learning the tools of the trade, and help with financial aid, we’re honored to be able to invest in, and nurture, the next generation of designers and creative leaders.

Last year, Safiya Jones and Cesar Rodriguez were among the students who joined us. Safiya is currently a student at the High School of Art & Design in Manhattan. Cesar was accepted to Cooper Union and is currently pursing his undergraduate degree in fine arts.

We’re excited to see who will join us this year as we expand our program in new ways to address the COVID-19 crisis. We start in July.

If you are - or if you know of - a high school or college student of color seeking a career in design in San Francisco, New York City or elsewhere, please let us know at apply_ny@wearecollins.com.

Before the world confused fame for mastery.

Before young designers were lost in the black hole of on-line portfolios and a million design posts a day.

Before the number of clicks and followers determined your worth, we used to learn about masters of design through their work on the street, in stores or through a small number of carefully curated design magazines and annuals.

Today, almost all of those magazines and annuals are gone.

But those masters were — and continue to be — the ones we look to for inspiration. Not only because of their remarkable work or enormous talents, but because of their tenacity — and an endless desire to reinvent themselves and the world around them for the better. The word “retire” never even crossed their mind.

This short film on the remarkable designer Deborah Sussman represents the first of a series of conversations with such masters. It was the last interview she filmed.

Masters never run dry on ideas or patience. Despite insanely busy schedules, not one of them turned us down, the inheritors of their craft. And we continue to be inspired by them every day. Today, our own hope is to expand upon the vision they established.

We thank the ADC Hall of Fame laureate Deborah Sussman for allowing us to create this brief portrait.

She never put fame before mastery.

And in this film, it shows.

For a second time in a row. We’re floored. And honored.

As we said last year: Design is not what we make. Design is what we make possible for others.

That’s been our mission from the start. It continues.

Thank you to our great teams in San Francisco and New York for pushing us further into the future.

And most of all, thank you again to our remarkable clients, partners and friends who give us opportunities to do meaningful work — and who make us all better, every day.

We’re thankful we’re busy at our company supporting our clients while also finding ways to help address this crisis.

But if there’s any creativity to be celebrated right now, it’s being done by people thinking of ways to save lives and finding a way to stop this.

Medical professionals figuring out how to treat patients and improvise supplies for themselves and others under conditions they’ve never seen before.

Scientists working round the clock in labs to discover silver bullets in the forms of better medicines and vaccines.

Countless people and companies using whatever they have to make masks, face guards, anything of use to share with others who need it.

And anyone who’s able to close their eyes and imagine how good it will feel when this is over.

These are all acts of real creativity that will get us to the other side of this.

Until then, if you’re looking for ways to contribute, we’re helping our friends at The Good+ Foundation get money and supplies to families in need. They’ve been assisting underprivileged families since 2002, but they can use everyone’s assistance right now.

You can help them here.

Our friend Rob Johnston recently interviewed Creative Director Ben Crick on Meet The Creatives. Ben speaks about branding at scale and designing systems to excite and live far past the launch date. And, of course, lots of shout-outs.

Listen on Apple Podcasts here.

Happy Fri… — checks the date — yes, Happy Friday!

We could all use a little boost in spirit.

The first half of the playlist is for lounging around, working from home, and looking out the window longingly. The second half is for dancing in your room tonight (sorry neighbor!).

We invited 86 year-old (and busy as ever) designer Richard Danne to speak with us about his celebrated 1975 design program for NASA—and its surprising, triumphant return. We asked him if he would discuss his career and his thoughts about the future. He agreed.

Thank you to everyone who joined us.

And thank you, Richard, for being such a wonderful guest.

Print Magazine covered it.

And The New York Times’ NASA design story is here.

From graduate to design leader.

Megan Bowker spoke to The Brand Identity about her experience growing as a designer at COLLINS, developing her point-of-view, and how creative decisions ladder up to great outcomes.

The San Francisco Symphony — the 108-year cultural icon with international acclaim — has a deep legacy as a boundary-pushing Bay Area creative institution committed to advancing the reach and relevance of the orchestral arts by questioning the status quo.

We were invited to build a new brand and identity system that honors the Symphony’s heritage while growing the direction of their art form and organization. We collaborated with their musicians, audiences, staff, executive leadership, and board members to define a shared vision for the brand, one which would become the foundation for creative and design experimentation.

To signal this new direction, we’re thrilled to share the first part of the Symphony’s new identity.

Leveraging new creative technologies, the new identity will use a custom variable font to bring the essence of sound and music to life. The identity juxtaposes the traditional with the contemporary — introducing new, dynamic, behavior for classical letterforms. Our hope is to create a memorable visual expression as rich in emotional range as the music of the Symphony itself.

The logo is just the beginning. With the full launch crescendoing in the Fall of 2020, audiences can expect more glimpses of the road ahead. Keep your eyes – and ears — open throughout the year.

CREDITS

COLLINS San Francisco
Typography: Dinamo
San Francisco Symphony